December Shows

As school rolls into finals week and my teaching duties lighten up going into the holidays, I have some time to reflect on the wild year I’ve had so far. Interestingly, my “Spotify Wrapped” playlist consists almost entirely of music that I’ve had to learn for a gig or class, and so it provides a good overview of my music making this year.

At the top of the list you can find the fascinating collection of Studies in African Rhythm that I learned for an international-themed classical piano recital. There’s also plenty of other classical piano pieces, along with other classical works I had to teach in school, hard rock (Ricky Liontones), smooth R&B (Smooth Tuba Tuesday), and a host of other popular hits that I played with cover bands and jazz standards from combo gigs. Highlights of the music that I didn’t have to learn for a gig include Mdou Moctar, Hiatus Kaiyote, Arooj Aftab, Brittany Howard, and Kim Gordon (look them up if you don’t know them).

I have a couple of shows to announce today, with more very exciting things to come. First, on December 13, I’ll be playing with Ricky Liontones at Liar’s Club for the millionth time this year, this time opening for Masonic Wave. We’ll also be paying tribute to Ricky’s original band from a decade ago, Polite Machines, with music from their catalog.

Next, on December 20, we’ll be a part of a major event happening at The Piazza in Aurora. Put on by Rock 95.5 in Chicago, “Holiday Havoc” will feature a slew of major rock artists, including Anberlin and Eve 6, and yes, us! What’s more, I’ve been told that you can save $5 on your ticket if you buy them online using this link and the code “ricky” at checkout!

Summertime (And the gigging is easy)

Happy Flag Day, and Happy Pride Month! You can get the latest pride flag design on all our merch at Slapsauce.com, and use the code PRIDE23 for 10% off your entire order—this month only!

In other news…

Last weekend’s run with the Chicago Tap Theatre was simply amazing. Synesthete was honestly one of the most incredible projects I’ve have the privilege to be a part of, and I really hope that it makes a return someday.

In the meantime, I’ve got a more gigs coming up!

6/16 1PM @ O’Hare Airport

6/16 9PM @ House of Blues

6/30 (Time TBA) @ Irish American Heritage Center

7/1 7PM @ Studio Lockport

For now these are my final performances before a two week vacation in Michigan. I’ll be needing that time off, especially since I’ll be going straight into a Midwest mini-tour afterwards (stay tuned for news on that!)

Can a Tuesday be smooth without tuba? Click here to find out!

More shows in September and October!

We played a sweet show at Boat Drinks in Chicago this Tuesday!

I’ve been hard at work performing for the good folks of Chicago and beyond. In addition to playing bass at Boat Drinks and other bars, I’ve also been playing plenty of tuba and keys (check out the latest Smooth Tuba Tuesday!).

Chicago has such a great diversity of musical opportunities—I’ve even had the chance to play rock, blues, jazz, and classical sets all in the same week! Even with everything I’m already doing, I’m still striving to acquire new skills as a musician, and seeking new creative outlets for musical performance.

If you’re interested in supporting my music in its various forms, you can come see me at these shows over the next few weeks:

Saturday 9/24 – Taylor Street Organ Trio @ One Allegiance Brewing (Chicago Ridge)

Friday 9/30 – Ricky Liontones Trio @ Honky Tonk BBQ (Pilsen)

Saturday 10/8 – Ricky Liontones Revue @ Metal Monkey Brewing (Romeoville)

Sunday 10/9 – Taylor Street Organ Trio @ Mockingbird Bar & Garden (East Dundee)

I have more shows to announce soon, including some exciting tour dates in October and November, so stay tuned for those announcements!

Jiƙí BělohlĂĄvek & Czech Philharmonic Orchestra – Smetana: MĂĄ Vlast

This is interesting for a change. As someone who studied classical music theory through six years of college, I should have sound opinions here. I would never claim nearly the same expertise as the Czech Philharmonic, though—Smetana is their national composer, their J.P. Sousa if you will. And this is Smetana’s most admired work, even if most of us today only know the second movement. It was written at a time in which the Czech Republic was pining for statehood, and Smetana quickly became a voice for his people. MĂĄ Vlast (“My Country”) is full of this nationalist passion, a sentiment that was extremely fashionable in European music of the time.

The orchestra performs the piece incredibly well—they obviously know the piece thoroughly (they’ve also recorded this in the past with Rafael Kubelik at the baton). The Moldau flows as effortlessly as I’ve heard any orchestra perform it. Through the impeccable smoothness of it all, though, it’s sometimes difficult to hear that passion that fueled the work’s composition. You almost want to hear this orchestra become a little emotionally unstable as they perform their crown jewel. This is a Decca recording, though, and they have a reputation of high-quality productions to maintain. Now I wonder how the orchestra would sound live, free from the slick hands of studio producers. Probably awesome.

Scallops Hotel – Sovereign Nose of Your Arrogant Face

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Scallops Hotel is one of the many epithets of Rory Ferreira, an unapologetically progressive rapper from Milwaukee, Wisconsin. He also responds to Milo, which is the pseudonym he chose for hist last release, “Who Told You To Think?!!?!?!?!” In August 2017. This particular album, though, is supposed to be a sequel to an earlier album released in June, “over the carnage rose a voice prophetic.” Now that I’ve sufficiently confused you, let’s dig even deeper into the nature of this album.

This isn’t conscious rap, that music set out to make a difference in the world. Not necessarily, at least. This is abstract hip-hop, an entirely separate genre that champions to the musical quality of the flow. The focus is less on the meaning of the words, but the sounds themselves. This sort of harkens back to the abstract notions of “absolute music” in the 1800s, with its grandiose symphonies composed by the likes of Beethoven and Brahms with no other intention than to exhibit the beauty of the music itself.

But what does that have anything to do with this?

Consider the rhythm of his flow. There isn’t a moment where he doesn’t seem to be experimenting with a new cadence. Rory almost gives the impression that he isn’t even trying to match the beat, long past that pedestrian formality in an ongoing search for new flows. He even follows classical forms in songs like “Rank, Title, Pressures,” the first half of an entire verse forms a musical sentence structured around the words in the title. This isn’t anything too special, though—classical phrase forms exist everywhere in hip-hop. Rory
 I mean Milo
 I mean Scallops Hotel
 just seems to be pushing it towards uncharted territory.

By far one of my favorite listening moments was hearing the cameo by JAW GEMS, my musical spirit animal and a band that more people need to know about.